Organ Stories IX
Franck: Prélude, Fugue et Variation, Op. 18 — Franck: Final in B-flat major, Op. 21 — Franck: Fantasy in A major — Franck: Cantabile — Franck: Pièce héroïque — Franck: Chorale No. 1 in E major
Franck: Prélude, Fugue et Variation, Op. 18 — Franck: Final in B-flat major, Op. 21 — Franck: Fantasy in A major — Franck: Cantabile — Franck: Pièce héroïque — Franck: Chorale No. 1 in E major
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Last event date: Sunday, October 31 2021 7:30PM
Organ Stories IX
Featuring:
organ: Lászó Fassang
actor: Pál Mácsai
The entire point of the long-popular Organ Stories series is to bring the music closer to the audience with concerts that also tell the tales behind the music. Could there exist a serious composer about whom one wouldn't enjoy hearing light-hearted stories? César Franck, for example, taught the young Debussy at the Conservatoire de Paris. 'Modulate! Modulate!' he urged his student. The young future genius of impressionism rebelled: 'Why should I modulate? I'm perfectly happy in the key where I am.'
Lovers of organ music know that that there are key schools or 'national dialogues' in the literature for the instrument. The Italian style of Frescobaldi can hardly be mistaken for the northern music of Buxtehude or Bach's characteristically German seriousness. And the French? Gallic organ music is its own world, which is hardly a coincidence, as French organ construction developed differently from elsewhere, with singular results. The immortal master of French organ music is César Franck - let us generously ignore the fact that he was originally not French, but Belgian (of partial German descent), as he spent most of his life Paris and became part of the French music world. His transcendant and elevated organ works are considered some of the most precious treasures written for the orchestra. Playing a few of these will be the superb organist andexperimentally minded curator of Müpa Budapest's organ concerts László Fassang. He will also share 'organ stories' about their composer in an informal style, accompanied by his longstanding conversation partner, Pál Mácsai.
Presented by: Müpa Budapest
Wolfgang Amadeus Mozart PARÁZSFUVOLÁCSKA – The Magic Flute for Children Fairy-tale Singspiel in two parts, in Hungarian, with Hungarian and English surtitles
This contemporary circus production conceived by artistic director Bence Vági recalls classic fairy tales with a story of how the mistress of the Crystal World loses her faith in human emotions and decides to freeze everything and seclude herself behind glittering walls of ice.
The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.
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