
Manon
Sir Kenneth MacMillan / Jules Massenet - Martin Yates
MANON
Ballet in three acts
Sir Kenneth MacMillan / Jules Massenet - Martin Yates
MANON
Ballet in three acts
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Last event date: Sunday, March 30 2025 10:00AM
During his career, Sir Kenneth MacMillan managed to reinvent not just the language of ballet, but also its subject matter: on many occasions he reached for modern, socially and societally charged themes that no one had ever dared to touch in any genre, let alone in dance. He was met with this criticism also after the 1974 premiere of Manon: even though it won enormous acclaim from audiences, critics were shocked by an immoral plotline that was completely unprecedented in the world of classical ballet at the time. Leighton Lucas created the score of the ballet based on Massenet’s works: although using nothing from Manon itself, he compiled the musical material from the composer’s many other operas and oratorios, which Martin Yates later re-orchestrated in 2011. Manon is performed with MacMillan’s original scenery and costumes on the stage of the Opera House.
AUTHORS
Choreographer: Sir Kenneth MacMillan
Composer: Jules Massenet
Music arranged by: Martin Yates
Set and costume designer: Nicholas Georgiadis
Costume supervisor: Donna Raphael
Lighting designer: John B. Read
Production director: Jo Maund
Taught from the Benesh notation by: Gary Harris
Staged by: Maina Gielgud
Répétiteurs: István Kohári, Albert Mirzoyan, Ildikó Pongor, György Szirb, Marianna Venekei
Hungarian National Ballet Institute students trained by: Dénes Kovács
CAST
Conductor: Gergely Kesselyák
Manon: Tatyjana Melnyik, Aliya Tanykpayeva, Maria Yakovleva
Des Grieux: Gergő Ármin Balázsi, Dmitry Timofeev, Louis Scrivener
Lescaut sergeant: Iurii Kekalo, András Rónai, Vlagyiszlav Melnyik
Lescauts mistress: Maria Beck, Jessica Carulla Leon, Kristina Starostina
Monsieur G. M.: Boris Zhurilov, Maxim Kovtun, Mikalai Radziush
Madame: Katerina Tarasova, Aglaja Sawatzki, Ludmilla Taran
Gaoler: Taran Dumitru, Nathaniel Lillington, Josué Moreno Lagarda
Beggar chief: Motomi Kiyota, Yago Guerra, Vince Topolánszky, Yago Guerra, Mattheus Bäckström
Courtesans: Claudia García Carriera, Elena Sharipova, Miyu Takamori, Adrienn Pap, Yuki Wakabayashi, Nutsa Chekurashvili
Beggars: Riku Yamamoto, Dmitry Zhukov, Francesco Sardella, Timofiy Bykovets, Kamill Kökény-Hámori
Gentlemen: Alberto Ortega de Pablos, Mattheus Bäckström, Carlos Taravillo Mahillo, Taran Dumitru, Christian Mathot, Viachaslau Hnedchyk, Gaetano Cottonaro, Daniyar Zhumatayev, Valerio Palumbo
Vincenzo Bellini’s final opera is a veritable apotheosis of bel canto that should only be presented to an audience with performers displaying impeccable technique and stylistic sensibilities.
„Túl sötét.” „Micsoda posvány!” „Csupa ronda emberről ír!” „Ez a darab előadhatatlan, már a dialógusai miatt is.” „Disznók vagytok ti mind, mondják a darabban, s ez találó ezekre az alakokra, de legfőképpen magára a szerzőre.” „Én bizony nem szeretném, ha ez a Húber a sógorom lenne!” „Hát írjon végre kellemesebb emberekről, az Istenért, hiszen ezek maga a förtelem...” „Én csak és kizárólag az író kedvéért olvastam végig.” „Én már azt se bántam volna, ha belelőnek a súgóba, oly mindegy az már ebben a pokolban...” „Szörnyű munka!” „Sivár, sivár.”
This summer at the Capital Circus of Budapest, we invite you on an exhilarating journey through time! Close your eyes, take a leap, and travel back 100 years to the fantastic 1920s — an unforgettable decade bursting with energy and style. Who wouldn’t want to step out of a sleek sports car, don a chic floppy hat, and dance to the irresistible rhythms of swing, jazz, or the Charleston?
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